Anne Deleporte

Anne Deleporte is a French-American artist, born in 1960 in Corsica (FR).

With studies in sculpture, Deleporte began her multimedia installations in the 1990s. In 2008, she participated in the New Orleans biennial, Prospect I, with related gigantic frescos in the US Mint and the L9 Art Center, Lower 9th Ward. In 2009, she had simultaneous solo exhibitions at Museo do Paco Imperial and Galeria Laura Marsiaj in Rio de Janeiro, presenting large multi-media installations. During the fall of 2010 she realised a wallpainting, an 80 foot-long panorama, at the Dallas Contemporary.
Anne Deleporte has exhibited nationally and internationally in such institutions as the New Museum, NY, PS1, NY, the Santa Monica Museum of Art, the Shanghai Art Museum,the Centre Georges Pompidou, Paris and the Musée d’Art Moderne, Paris. She received the Peter S Reed Foundation Grand 2013.
Deleporte’s work may be found in the permanent collections of the Centre Georges Pompidou, Paris; MAMCO Musee d’Art Moderne et Contemporain, Geneva; Musee de la Chasse, Paris; Citibank, Los Angeles; Fondation Guerlain. France; Percent for Public Art, New York; Artist Pension Trust, New York.

Sara Reisman
Matisse, Marx, & Einstein

Anne Deleporte’s Einstein, Marx & Matisse is a series of works that the artist calls photo-frescos. Part collage, part painting, Deleporte’s work is created through a chance process of collecting newspapers late in the day, or long after the news is current. Each photo-fresco begins with one or more sections of the newspaper, more often than not from The New York Times; this group of paintings on view at Bulova is based on newspapers published between 2005 and 2013. Deleporte’s relationship to the news is different than yours or mine. She collects newspapers whenever she can, quickly checking for visual interest. From this news archive, she unfolds and pastes the newspapers onto wood, canvases, and in many cases, walls, ceilings and other architectural surfaces. She then locates images from the news that she wants to highlight by carefully painting around them, filling in the gaps between them with solid color, most often pale blue and, more recently, black.

As a viewer, you might be immediately drawn to certain details in each painting: a color wheel, Picasso’s portrait of Thérèse, the Mississippi River, sculptures by artists Richard Serra and Joel Shapiro, a crumbling loaf of bread, a swimmer cutting a long stroke, the right field pole at Fenway Park. It may look like the frescoes include more artistic imagery (references to da Vinci, a painter’s palette, and the aforementioned works by Picasso, Shapiro, and Serra) than non-art images. What do sections of corn on the cob, cheese fondue, a red robin, and a bull have to do with art? Which of these things is not like the other? In viewing, or rather reading, these artworks pictorially, an appreciation emerges for the artistry of print media: photography, drawing, typeface, and paintings captured within Deleporte’s paintings, rich with shadowed depth, suggest a three-dimensionality that makes the news all the more surreal. The background (or, in Deleporte’s case, the foreground) of the paper enlivens our collective reading of the news.

This is no doubt an artist’s filter of the newspaper. Images are privileged over words, suggesting a different kind of literacy. Deleporte’s selective reading creates a sense of order out of the glut of visual and textual matter we face daily, both awake and in dreams. The way in which Deleporte’s work summarizes the news, bringing together chance occurrences in print media, is integral to her art, while it also leaves the door open to the viewer’s subjective reading. If you happen to be an avid reader of the newspaper, you may feel familiar with what you’re seeing, the gestalt of past papers read. Or, specific symbols might trigger associations that have nothing to do with the artist’s intentions. In fact, three of the artworks on view – Matisse, Marx, & Einstein (all 2005) – are from the same day, and two of these works, Matisse and Marx, were made using duplicate copies of the same day’s newspaper, demonstrating the possibility for variations in casting these contemporary hieroglyphs. Even if we agree with Deleporte’s emphasis on these three historical figures for their symbolic value in art, political theory, and science, our individual understanding of the news and the world is distinctly subjective. Like the news itself, Deleporte’s paintings leave certain details to the imagination. How one image or detail relates to another is part of the experiment. The real mystery is what Deleporte chooses to cover up.

 
Anne Deleporte, Hermine, Monteverita, Monteverita Paris
Anne Deleporte, Hermine, 2010, newspapers and house paint, 14 x 80 cm. Dallas Contemporary, Texas.
Anne Deleporte, Que Choisir, Monteverita, Monteverita Paris
Anne Deleporte, Que Choisir, 2008, newspapers and house paint, 16 x 60 cm. Centre d’Art Contemporain, Sète France.
Anne Deleporte, Archeology, Monteverita, Monteverita Paris
Anne Deleporte, Archeology, « L’Ottava Tavola », Palazzo Casali, Cortona (IT). 
Anne Deleporte: Einstein, Marx & Matisse, Monteverita, Monteverita Paris
Anne Deleporte: Einstein, Marx & Matisse, installation view, Queens Museum, Bulova Corporate Center, 2013.
 Anne Deleporte - Artistes Art Contemporain - CRAC OCCITANIE à Sète, Monteverita, Monteverita paris
Anne Deleporte – Artistes Art Contemporain – CRAC OCCITANIE à Sète – Centre Régional d’Art Contemporain OCCITANIE / Pyrénées-Méditerranée

Anne Delaporte, Monteverita, Monteverita Paris

Anne Delaporte, Monteverita, Monteverita Paris
Anne Deleporte, Editorial Blue, Monteverita, Monteverita Paris
Anne Deleporte, Editorial Blue, 2008/09, newspaper and house paint, 1200 square feet. Prospect 1, Mint Museum, New Orleans.
Anne Deleporte, ID Stack, Monteverita, Monteverita Paris
Anne Deleporte, ID Stack, photomaton, 2015.

Selected Solo Exhibitions

2016
My Favorite Horror Show : the news, Cathouse Gallery New York (US)
Black & White & Red All Over, galerie l’inlassable, Paris (FR)
2015
Vidéo d’Artiste #8, MEP Paris (FR)
2014
Dazzle Painting, McClain gallery, Houston (US)
2013
Wet Water, ShowRoom Gowanus, Brooklyn (US)
Einstein Matisse & Marx, Queens Museum at Bulova center, NY (US)
Les verres (…) Lenses were clear glass, Rue Visconti Editions, Paris (FR)
2012
Black painting, Librairie des Galeries, Bruxelles (BE)
Cibles, Musée de la Chasse, Paris (FR)
2011
Hot Dog Smart Dog, The Office, New York (US)
2010
Palimpsest, Teatro delle esposizioni, Villa Medici, Rome (IT)
2009
Anatomies Sommaires, Fondation Deyrolle, Paris (FR)
L.C.O.D., Museu do Paço Imperial, Rio de Janeiro (BRA)
2008
Que Choisir, Contemporary Art Centre, Sete (FR)
2006
Robert McClain Gallery, Houston (US)
2005
©, Roebling Hall Gallery, New York (US)
Il Riflesso, il Dubbio, la Minaccia – Sassari Museum, Sardigna (IT)
le Reflet. le Doute, la Menace – Morcigla and Porto Vecchio, Corsica (FR)
Paris in Shanghai – Shanghai Art Museum, Shanghai (CN)
2004
Making Faces – Hayward Gallery, London (UK)
2003
Fable de l’Identite – Centre National de la Photo, Paris (FR)
1999
Fétiches & Fétichismes – Passage de Retz, Paris (FR)
Oeuvres choisies – FRAC Pays de la Loire, Le Mans (FR)
Instants donnes – ARC, Musée d’Art Moderne, Paris (FR)
1996
Walk on the Soho Side – New Museum, New York (US)

Selected Group Exhibitions

2017
Grande Image Lab, MOVIMENTA,Theatre National de Nice (FR)
Lignes de Vie, 20 ans de la collection Neuflize OBC, Paris (FR)
Le Monde Représenté, FRAC Corsica, Le Bastion, Porto Vecchi (FR)
Leaving Home, Cathouse gallery, Beacon, NY (US)
The Times, Flag Art Foundation, New York, NY (US)
Arte Video Night , MEP Maison Européenne de la photo, Paris (FR)
2016
Slow Carnage, Coustof Waxman Gallery, New York
L’Heure Bleue, Frac Pays de Loire, Couëron France
Tropicalia, L’Inlassable Museum, Paris
Black & White & Red All Over, galerie l’Inlassable, Paris (FR)
Abisselfa, Coustof Waxman gallery, New York (USA)
Matin, midi et soir, Honoré Visconti, Paris (FR)
Cinema Permanent, Musée des Beaux Arts d’Orléans (FR)
Final Harvestings, Cathouse FUNeral, Brooklyn (US)
Micro Salon #6, galerie l’inlassable, Paris (FR)
My Favorite Horror Show, Cathouse FUNeral, Brooklyn (US)
Palace, galerie l’inlassable, Paris (FR)
2015
Provoquer l’Apparition, galerie l’Inlassable, Paris (FR)
The Museum Imagined, Danese Corey gallery, New York (US)
Iris Time, L’Inlassable Museum, New York (US)
Micro Salon #5, galerie l’inlassable, Paris (FR)
{647912}, galerie l’inlassable, New-York (US)
2014
Fake Idols, galerie l’inlassable, Miami (US)
Ex Nihilo, galerie l’inlassable, Paris (FR)
2013
Wet Water, ShowRoom Gowanus, Brooklyn, NY (US)
Einstein Matisse & Marx, Queens Museum at Bulova center, NY (US)
Secret Behavior, Berl’s Brooklyn Poetry & MoMa PS1 Book Fair (US)
OpenSkyMuseum, Nantes (FR)
Mary Poppins is a Junkie, Lust Gallery, Vienna (AS)
Passionnément, Musée Fesh, Ajaccio (FR)
2012
Derrière le Rideau – L’ Esthétique du Photomaton, Musée de l’Elysée, Lausanne / Museum Botanique, Brussels / Kunst Haus Wien (AS)
Arte Video Night, Palais de Tokyo, Paris (FR)
Showroom 170, Salon Zurcher, Paris (FR)
BIG Queens drawing show, Jamaica Center for Art, New York (US)
Cibles, Musée de la Chasse, Paris (FR)
2011
Mary Poppins is a Junkie, Showroom 170, New York Betes off, La Conciergerie, Paris (FR)
Hot Dog Smart Dog, The Office, New York (FR)
Cat Art Film Festival, Anthology Film Archive, New York (US)
Open Frame, Sète Contemporary Art Center, Sete (FR)
Le Bel Eté, La Citadelle de Corte, Corsica (FR)
2010
Arte Video Night, Petit Palais, Paris (FR)
Here, There & Beyond, Dallas Contemporary, Dallas Fantomas vs Chardin, Musée de la Chasse et de la Nature, Paris (FR)
Palimpsest, Teatro delle esposizioni, Villa Medici, Rome Hors Pistes, Centre Georges Pompidou, Paris (FR)
The Arbitrariness of Signs, Momenta Art, New York (US)
2009
Anatomies Sommaires, Fondation Deyrolle, Paris L.C.O.D., Museu do Paço Imperial, Rio de Janeiro Video Night, Arte / Centre Georges Pompidou, Paris (FR)
This has Been, On Stellar Rays Gallery, New York (US)
2008
Que Choisir, Contemporary Art Center, Sete (FR)
Prospect 1, New Orleans Biennial, New Orleans (US)
Glow Festival, Santa Monica, CA (US)
Mondo E Terra, Nuoro Museum of Art, Sardinia (IT)
Nature Fragile, Musée de la Chasse, Paris (FR)
L’Ottava Tavola, Etruscan Museum of Tuscany, Cortona (IT)
2007
Robert McClain Gallery, Houston Exit Art Center (US)
Les Peintres de la Vie Moderne, Centre Georges Pompidou, Paris (FR)
The Only Book, Center for Book Arts, New York (US)

Public Collections 

Centre Georges Pompidou, Paris (FR)
Musee d’Art Moderne et Contemporain Geneva (CH)
Artist Pension Trust, New York (US)
Musee de la Chasse et Nature, Paris (FR)
Tang Museum, Sratoga Spring, New York (US)
Caisse des Depots et Consignation, Paris (FR)
Percent for Public Art, New York (US)
Maison Europeenne de la photo, Paris (FR)
Fond National d’Art Contemporain, Paris (FR)
Fond Regional d’Art Contemporain, Corsica (FR)
Fond Regional d’Art Contemporain, Pays de Loire (FR)
Fond Regional d’Art Contemporain, Bretagne (FR)
Banque Neuflize, Paris (FR)
Banque Apax, Paris Citibank, Los Angeles, CA (US)

Selected Publications 

2013
Passionnément, Anne Alessandri & Philippe Costa Magna, Palais Fesh / Frac Corse
2012
Derriere le Rideau, Clément Chéroux & Sam Stourdzé, Musee de l’Elysée
2008
Lilly Wei, New Orleans – Deliverance: The biennial, Art in America, February
Shaila Dewan, New Orleans Rising, New York Times, October
2005
Semaine3305 Frac Corse n.63